Father Carlo Crespi Croci #lastoftheoldworldgiants

This image shows Italian Salesian missionary Father Carlo Crespi Croci holding an oversized crown from his controversial artefact collection.

The Subject: Father Carlo Crespi Croci (1891–1982) was a priest who spent decades working in Cuenca, Ecuador.

The Artifacts: Indigenous Shuar people gifted him numerous metallic plates, crowns, and objects.

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The Controversy: The collection became central to alternative history theories, with claims that the artifacts originated from a "giant king" library inside the Cueva de los Tayos.

Scientific Verdict: Mainstream archaeologists and researchers classify most of the metallic plates as modern local brass or copper fabrications rather than ancient relics.

This image features another notable piece from Father Carlo Crespi Croci’s artefact collection in Cuenca, Ecuador.

The Object: A massive, stylized metallic sheet shaped like a guitar.

Surface Art: Intricate carvings and symbols are etched across the entire front face.

Central Motif: A distinct circle divided by a cross sits over the central soundhole area.

Alternative Claims: Fringe theorists use its giant proportions to claim it was built for prehistoric giants.

Historical Reality: Scholars identify it as modern local folk art crafted from beaten sheet metal or brass.

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